The MONSTERS UNIVERSITY Trailer is very OK

Pixar has been on a bit of a slide as of the last few years. Some would argue that this has happened since TOY STORY 2 remake TOY STORY 3 came out. With CARS 2 and BRAVE, I'm afraid that Pixar is getting too Disney-fied. When I heard that there was a prequel to MONSTERS, INC, I was skeptical, and now that there's a new UK trailer out, I'm still skeptical. Check it out below.

For Funsies: Consider MU for Your HIgher Education!

The new year always brings resolutions and big dreams. It's also the time of year where seniors begin narrowing down their college searches, go on visits, and finalize where they're continuing their education.

In college you makes lifelong friends and memories, so you want to find the best possible fit to spend those four years of your life. Here's a video of a hidden gem of a university where you can be extraordinary and create history as a unique individual.




I totally dig this viral marketing for MONSTERS UNIVERSITY from Pixar. Very creative. I'm filling out my application as we speak! Hope they accept me!


MONSTERS UNIVERSITY will be released June 21st, 2013 starring Billy Crystal and John Goodman.



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Netflix Instant: Cool TV and Movie picks

Hey guys, Jonesy here with my picks for this week with a little something for everyone:

Star Trek

I am not a Trekkie, at all.  I'm a STAR WARS gal through and through, so I wasn't very excited about seeing this a couple summers ago.  However, I was pleasantly surprised by how innovative and fascinating director J.J. Abrams made the STAR TREK world.  The movie is fun, funny, and you completely forget about any stigma that came with the STAR TREK lore. 

When Harry Met Sally

Can a man and a woman ever just truly be friends?  This question is pondered and explored in director Rob Reiner's comedy.  The movie is sweet and charming and explores the truths and consequences of that question.  Billy Crystal and Meg Ryan are fabulous in their best roles to date.  An actual romantic comedy that doesn't involve a mad dash to the airport!

Little Shop of Horrors

LITTLE SHOP is one of my favorite musicals.  It's charming, witty, and surprisingly very dark.  A down-and-out plant shop worker hopes to boost his sales by purchasing an exotic plant all the while trying to win the gal of his dreams.  Plans go awry when the plant thirsts for more and more blood, and he's growing out of control!  If you're a fan of Burton's SWEENEY TODD, you'll enjoy this somewhat similar, yet lighter romp of a musical. 

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Oscar Reactions

Javi: Well the big day has come and gone. The Oscars are over, and now studios can go back to releasing movies that AREN'T about British people from the past with middling problems. It almost makes me look forward to the ridiculous summer movies coming up. Anyway, just a few thoughts about the show and then the winners and losers of the night.

First, the show. Apparently, a lot of the Internet hated the show, and they blame a lot of it on James Franco. He was tweeting, texting, and seemed overall distracted by the whole "hosting" thing. What's funny is that what people thought to be robotic and apathetic, I found to be part of his rather stoned composure. Then again, that's why I got so annoyed with Anne Hathaway's high school cheerleader act; she seemed to be trying to make up for Franco's attitude, but it got tiring so quickly for me. At first, the enthusiasm was slightly endearing, you could tell the young hosts were pretty excited to be in the presence of all of the invited stars of Hollywood, but by the time we saw that atrocious auto-tune number and Anne Hathaway seemed to be more amused about her dresses and being peppy, I was turned off by the whole affair. I get the reasons why people were turned off by James Franco's act, but I can't help but feel that maybe he was mimicking the way most of us actually feel about the Oscars and their "celebration" of film. I will say, this year was an experiment that failed, but please don't bring back someone safe like Billy Crystal.

Now, let's talk the actual awards. The big surprise for me was that there was no one movie that won a lot of awards. THE KING'S SPEECH and INCEPTION won four awards each, followed by THE SOCIAL NETWORK. It seems to speak volumes to me that there weren't any big sweepers this year. The Academy apparently couldn't decide between awarding originality or just going with the same old stuff. This trend started early in the night with Melissa Leo winning for THE FIGHTER. I am not knocking down her performance, but it would still have been amazing to see young Hailee Steinfeld win for TRUE GRIT. The fact that INSIDE JOB won over EXIT THROUGH THE GIFT SHOP continued the predictable trend for the evening, and it almost felt that the Academy did not want to deal with Banksy's antics. I will complete go all Armond White on Jonesy here and say the Auto Tune scenes from the movies would've been cool. A year ago. Just saying guys if that Home Intruder song hadnt been so big, it would've felt more relevant.

The big surprises of the night for me were the trophies for ALICE IN WONDERLAND, THE WOLFMAN, and a non-Pixar animated short winning (THE LOST THING.) With the Best Actor, Actress, and Supporting categories all being very obvious to everyone involved, the end of the night really came down to THE KING'S SPEECH and THE SOCIAL NETWORK. By snubbing David Fincher and THE SOCIAL NETWORK, the Academy has shown that progressive and original film making has no place in their ranks. I think that Spielberg said it best when he mentioned CITIZEN KANE, ET, and STAR WARS among movies that did not win Best Picture Oscars, right before announcing THE KING'S SPEECH as the Best Picture. A little passive aggressive, but it speaks volumes. With this, I leave you all with a very thought provoking article by Drew McWeeny. I'll be taking his advice next year. Although it's still kind of cool to say that I'm listening to Oscar winner Trent Reznor's Pretty Hate Machine from now on.


Jonesy: I remember when the Oscars use to be unpredictable. It was always up in the air who would walk out with a trophy. In the past few years, the Oscars seem to have taken a turn for the, well... boring. There never seem to be any upsets, you can always tell when it's a very political year (i.e. the Denzel Washinton and Halle Berry year), and they seem to never recognize anything truly new or innovative. It's all about the sweeping epics or personal dramas.

This "boring" trend is also apparent with the recent choice of hosts. Now, I understand the academy is trying to draw in young crowd with Hathaway and Franco hosting, but something just seemed off last night. The opening montage was a lot of fun, but once they got onstage, it seemed very lackluster. Franco didn't seem interested at all, and maybe he wasn't. So, Hathaway overcompensated with being overly bubbly, and in turn they didn't mesh well. Is that what the academy thinks young people relate to? Bubbliness or disinterested-ness?

The part I did enjoy the most was the short auto-tunes section. Then again, any chance to get Harry Potter more screen time makes me happy.

As for the awards themselves, I echo my cohort that I'm surprised no movie swept the awards. The academy appeared to spread the awards around. I was very proud of INCEPTION taking home four awards for all their amazing technical achievements. The acting awards, again, were predictable and boring. I was shocked that David Fincher was snubbed for Director. I figured he would win Director with THE KING'S SPEECH taking home Picture, that way both movies would get a taste of the big awards. However, when Tom Hopper's name was called, then I had, for a moment, a fleeting hope that THE SOCIAL NETWORK would take home Picture. However, then the academy went back to their old ways of giving the Director and Picture to the same movie. Again, boring.

Also, I remember when ALICE IN WONDERLAND came out last year, and I do not remember people loving really anything about that movie. Why in the world does the academy love it so much?? That was very surprising too.

I've read a lot of people giving the Academy crap because they don't recognize the truly great movies that come out, and that they seem to be getting more and more predictable. However, they do, somewhat, listen to outcry from the community. When THE DARK KNIGHT wasn't nominated, there was an uproar, and what happened? The next year we had ten best picture nominees. There are always going to be movies which should have won. Just like Speilberg stated at the awards shows, THE SOCIAL NETWORK will now join the ranks of STAR WARS and CITIZEN KANE, the latter considered the be THE best movie of all time. If we want the awards to be fun and unpredictable again, then we have to do what we're doing now. Writing about it and getting our opinions out there. Because like THE SOCIAL NETWORK says, the Internet is written in ink.

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