Tuesday, September 29, 2015

Fantastic Fest 2015 Review: ANOMALISA


Anomalisa.
Directors:  Charlie Kaufman and Duke Johnson.
Writer: Charlie Kaufman.
Actors: David Thewlis, Jennifer Jason Leigh, and Tom Noonan. 

Whenever Charlie Kaufman makes a movie, people pay attention. And with good reason. While his
movies maybe a little dense and heavy with metaphors, they are always visually stunning with some heavy themes he tries to deal with. Collaborating with stop-motion animation director, Duke Johnson, Anomalisa is the Kaufman's first entry into animation.

For the majority of the movie, we follow Michael Stone (David Thewlis). He's quite the expert and legend among this weird customer service industry that reveres his words; they buy his book and even has groupy-type of fans. Thing is, Michael is a really unhappy person. To him, the world is the same, everyone looks and sounds the same.  Everyone, even his family, all sound like Tom Noonan.

When he goes to a customer service convention in Cincinnati, he starts going through a breakdown when he meets Lisa (Jason Leigh). She doesn't sound like Tom Noonan for one, and she's this interesting person to Michael despite not knowing why. And isn't falling in love a little like that? Where the person is so special everything else fades to the background and you can't quite put your finger on it, but it works.

This being a puppet-centric movie, it's interesting to note just how well designed and technically accomplished the animation is. Despite their faces having a very obvious split, he puppets all look and feel like real people. They breathe despite not being built for that function, and the way they move leaves the uncanny valley behind. Because of this everything that happens in the movie feels like a true punch to gut. There is one particular sex scene that is one of the most heartfelt and honest scenes seen on a movie screen in a long time.

Visually, the movie is as creative and surreal as a Kaufman movie can be all the while being very mundane. Nothing stands out, everything looks seemingly beige, everyone is the right kind of polite, the hotels all have that very generic hotel look, even the city itself looks boring. But then there's all of these touches that add bits of humor and humanity. Times like when you can't get your key at the hotel to work or the water can't get to the right temperature in the shower. Being at odds with its protagonist, the movie tries to find the human in the mundane.

Anomalisa  is one of those movies where it feels wrong to write a review after only seeing it once. In the broadest of strokes, the movie tries to tackle love, the inexplicably of attraction, and how one views the world. On the other hand, it's a very personal story and heartbreaking story about an unhappy man wandering through the world. But that's kind of the beauty of these movies.

On one side, Michael is a terrible person. He calls up his ex-girlfriend who lives in town and she sounds like Tom Noonan, but you hear her dialogue, and even after not seeing each other after ten years she is still so hurt by their break up but all he can see is a generic individual. But then when he experiences his first meeting with Lisa, you root for him because it truly is an exciting thing to feel.

Anomalisa is truly a beautiful moviegoing experience. The amount of heart that the movie has coupled with the technical complexity of the animation makes this movie the best of two worlds. It's a movie that needs to be seen with a group of people to talk about and then re-watched over and over. And that's what great movies should be like.


Saturday, September 26, 2015

Fantastic Fest 2015 Review - THE WAVE

The Wave.
Director: Roar Uthag.Writers: John Kåre Raake, Harald Rosenløw-Eeg.Actors: Kristoffer Joner, Ane Dahl Torp, Jonas Hoff Oftebro, Fridtjov Såheim and Edith Haagenrud-Sande.


Disaster movies have this very American slant to them. There's something about the gratuitous destruction of a city or a building that feels ridiculous in that big MURICA kind of way. But Mother Nature doesn't just pick on the land of the free.

The Wave explores the very real threat of huge waves caused by rockslides that threaten the people living the fjords below. Beyond being interesting as a concept, The Wave is a very human story told on the background of a large disaster.

The movie follows Kristian, a geologist who monitors the mountains for seismological activity. At the beginning of the movie, he is in the process of leaving his position for a more lucrative job at an oil company and uprooting his family. His family is all trying to adjust to the move, but they're all supportive if not a little sad about leaving their home.

On the last day, however, there's strange activity with two sensors within the mountain indicating that something is not quite right. It's probably not too hard to guess what will be coming next, but the dread and anticipation are still nerve-racking up until the point the wave hits.

For one, the cinematography is gorgeous thanks to the shots of Norway's landscape. They're all shot in a way that makes them seem imposing and beautiful with an otherworldly vibe. All of this makes the fact that the mountains are fragile and could come down and wreck havoc on the town at any moment. The special effects of the movie are surprisingly good and would make Roland Emmerich happy. There are tons of wide shots that give you a good sense of the scale of the wave and how small the town and the people in it look by comparison.

There's something about the relatively smaller scale that makes the movie unique. Since we're following the one family everything feels much more tense. A big staple of disaster movies is getting big shots of anonymous extras dying. In The Wave, that's not quite the case, and it makes any of the deaths that you see on screen actually carry weight and mean something.

As far as performances go, the MVP of the movie is Ane Dahl Trop who plays Idun, Kristian's wife and, through a series of events, is paired up with the oldest son, Sundre (Oftebro). As the manager for the only hotel in Geiranger she must be a calm leader and try to save as many lives as she can all while dealing with her role as a mother and having to make some really tough decisions along the way.

The Wave is a great entry in the disaster action genre. It features great lead performances, top shelf special effects and a story that's small in scope but it has a lot of heart.

The Wave screens again on Monday, September 29th at 9:00 pm. 

Thursday, September 10, 2015

Netflix Instant: Movie & TV Picks


The weather is finally cooling down ever so slightly but still it's still humid as hell here in Dallas. Let's watch some movies in a nice and cool living room. This week's picks are all pretty weird genre fare.

Look, this one might not have the best reviews, but this is a Joe Dante movie so it's a must-see in my book. The story deals with a guy whose girlfriend dies in a freak accident and when he finally moves on, his ex comes back from the dead to mess stuff up. 

One of the first movies that made me think about cinema in a deeper level, this crime thriller by Christopher Nolan features stellar performances by Al Pacino and Robin Williams. The movie takes the grizzled detective played by Pacino who after being accused of tampering with evidence takes a case up in Alaska where there's no sunlight for a 3 months out of the year. 

This is one that I have not seen nor will I ever but I hear that it's insanely good. My reason for skipping it? There's dog-related violence and I just cannot handle any kind of animal violence in movie. The movie is about stray dogs who after being abused amass an army and go after their human tormentors. 


Sunday, August 30, 2015

The Local Haps: August 31st - September 6th


School's been back for a week now. The traffic jams have increased, there's less teenagers at the mall during the day, and hopefully there's less of them at the movies during the week which should make all of these special screenings a nice and quiet refuge. Check them out after the break!

Saturday, August 29, 2015

Netflix Instant: TV and Movie Picks- Back to School Edition!


Most students went back to school this week, and as a teacher, I'm definitely spending this weekend recovering from week one with my students. As a celebration of school starting again, I have three picks for you that are all school related!

Enjoy!


Wednesday, August 26, 2015

The Local Haps: French New Wave at the Alamo Drafthouse DFW




French New Wave Showcase

Video Association of Dallas and Alamo Drafthouse Cinema - DFW co-present the French New Wave Showcase Saturday afternoons in September!

French New Wave, or in French “Nouvelle Vague,” is the style of highly individualistic French film directors of the late 1950s—early ‘60s. Films by New Wave directors were often characterized by fresh techniques using the city streets as character in the films.

The New Wave films stimulate discussion about their place in the history of cinema and film. So whether a cinephile or a casual filmgoer, learn more about this distinctly French film movement. French New Wave Showcase, presented by the Video Association of Dallas and the Alamo Drafthouse Cinema - DFW, screens every Saturday at 4 pm at Alamo Richardson.


“The French New Wave was a reaction to the bigness of Hollywood. Serious film scholars, writers and lovers started the movement to counteract the regimented Studio System. Their poetic way of taking filmmaking to the streets was immediately inspiring to a new generation of American filmmakers, showing them that creating original meaningful cinema was in reach. Their movement inspired many other cinematic moments that continue to propel cinema today,” said Bart Weiss, founder of Video Association of Dallas and founder of Dallas VideoFest, which starts its 28th year Oct. 13. 


Monday, August 24, 2015

The Local Haps: August 24th - August 30th



Monday, August 24th
Alamo Drafthouse: There's not nearly enough cool Latino characters around Hollywood so of course DESPERADO is one of the most badass movies from the 90's. Vinegar Syndrome's monthly series continues with SWEET TRASH.


Tuesday, August 25th
Alamo Drafthouse: You can see just how evil the penis is at the "late night" screening of ZARDOZ at 7:00 pm. THEY LIVE  ranks among John Carpenter's best. With Roddy Rod Piper's untimely passing it's definitely a must-see if you've been living under a rock for the 3 decades.


Wednesday, August 26th
Alamo Drafthouse: As many of the late 90's/early 00's teen movies I saw, BRING IT ON was not one of them. But I know a lot of friends that loooooOOOOooove it. So you check out the quote-along at 8:05 pm.  Horror Remix returns after a hiatus with an old classic, BOAT SHOW at 10:00 pm.

Texas Theatre: There's a double bill of DO I SOUND GAY? and BEING EVEL  starting at 7 and 8:45 pm respectively. Jonesy's seen both and they both are pretty interesting documentaries. I'm more particularly interested in DO I SOUND GAY? as it involves a lot of interesting sociological issues.


Thursday, August 27th
Texas Theatre: In anticipation of the upcoming appearance, there will be a 35mm MALLRATS screening at 8:45 pm. I'll be honest, I'm curious how it holds up. Most of Smith's movies have all of the rage of a teenager but no nuances. But if you're a fan of his work, you'll be all about it.


Saturday, August 29th
Alamo Drafthouse: BETTER OFF DEAD is a hole in John Cusack filmography but it's celebrating its 30th anniversary and the trailer looked pretty crazy.


Sunday, August 30th
Alamo Drafthouse: Wrapping up the Alfred Hitchcock month, the post-WW II spy thriller, NOTORIOUS at 1:00 pm